Ètieene Nicolas Méhul (1763-1817) was a French composer. He was
the most important composer in France during the Revolution and the first
composer to be labeled as romantic. Méhul was born in France but studied music
with Wilhelm Hanser, in Germany. In 1778
he went to Paris to study with Jean-Frédéric Edelmann. He originally began
composing piano pieces and arranging arias for popular operas. From those
successes he began his career in opera. His first two operas were to be
preformed were failures. First Alonzo et
Cora was originally set to be preformed in 1789 and was flopped by the
opera house until 1791. His second opera, Adrien,
was banned for political reasons.
Amongst this his third opera premiered, Euphrosine. This opera was extremely successful and put Méhul on
the map as a new talent. During the revolution in France he wrote operas,
patriotic songs, and propaganda music. His most famous piece is Chant du depart, or Song of the
Departure. This song is what marks him
as a true Romantic composer. First
performed in 1794 with each stanza sung by a different group or characters in
the choir for instance the first stanza is a speech of an officer cheering on
his soldiers, the second, is of a mother offering her sons life to the
fatherland and the Fourth, is sung by children.
This Song survived both the Revolution and the Empire and is still sung
by the French Army.
Lyrics:
A deputy of the
People
Victory
sings
Opens its gate for us
Liberty guides our steps
And from North to South
The horn of war
Rang the battle hour
Tremble, enemies of France
Opens its gate for us
Liberty guides our steps
And from North to South
The horn of war
Rang the battle hour
Tremble, enemies of France
Kings drunk on blood and pride
Sovereign People comes forth
Tyrants go down to your graves
Sovereign People comes forth
Tyrants go down to your graves
Song of the
Warriors (chorus)
The
Republic is calling us
Let's know how to vanquish or let's know how to perish
A Frenchman must live for her [the Republic]
For her [the Republic] a Frenchman must die
A Frenchman must live for her [the Republic]
For her [the Republic] a Frenchman must die
A mother of a
Family
Do not fear that our
motherly eyes shall weep
From us begone, cowardly grief! We shall triumph when you take up arms It is kings who should shed a tear We gave you life Warriors, it is no longer yours All your days belong to the Motherland She is your mother more than we are (Chorus) |
||
Two old men
|
||
May their fathers'
blade be placed in the hands of the brave,
Remember us on the Field of Mars (on the battlefield) Baptise in the blood of kings and slaves The blade thus blessed by your elders And by bringing back home Both wounds and virtues Return to shut our eyes When tyrants are no more (Chorus) |
||
A child
|
||
The fates of Barra
and Viala fill us with envy
They died, but they prevailed Cowards crushed by the weight of years never truly knew life He who dies for the People has lived You are brave, so are we Lead us against Tyrants Republicans are men Slaves are children (Chorus) |
||
A wife
|
||
Leave, valiant
husbands! Battles are your feasts
Leave, models for warriors We shall pick flowers to crown your heads Our hands shall braid laurels And if the temple of memory (death) Should open for your victorious manes Our voices shall sing your glory Our wombs shall bear your avengers (Chorus) |
||
A young girl
|
||
And we, sister of the
heroes, we who of Hymenaios marriage's sweet bonds
Are still ignorant If someday to join his fate to ours A citizen should express the wish Let them come back within our walls Embellished with glory and liberty And let their blood, in battle Have spilled for equality (Chorus) |
||
Three warriors
|
||
On the iron, before
God, we swear to our fathers
to our wives, to our sisters to our representatives, to our sons, to our mothers that we shall annihilate oppressors Everywhere, into the deep night by sinking the infamous royalty the French shall give to the world peace and liberty (Chorus) |
https://www.marxists.org/history/france/revolution/1794/chant-du-depart.htm
http://digitalcommons.hamline.edu/cgi/viewcontent.cgi?article=1025&context=dhp
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ReplyDeleteI have never heard of this composer, but it is interesting how he was the first to be labeled as a Romantic composer.
ReplyDeleteI think it's interesting how most great composers (even opera composers) start out on piano. Maybe it's because the piano is so visual? Also I think it's cool that the French Army sings something like this and that he splits up the choir to sing different parts of the song.
ReplyDeleteSuper interesting that he was the first to be called Romantic, and that this piece is still sung today after all that France has been through.
ReplyDeleteI think it's funny that Adrien was banned for political reasons but seomthing like Verdi's Rigoletto wasn't even though the play it was made after (Le roi s'amuse) was actually banned. It's interesting what flies under the radar in some countries.
ReplyDeleteIs he marked as a romantic composer because the song is patriotic or propaganda? Another question would be that even though it completely states what it means and there's no hidden story, does the music come into play that it fits the theme of the words being said?
ReplyDeleteI find it interesting because that he is considered to be the first labeled romantic. I always considered that to be Beethoven, but I guess Beethoven kind of straddled the line between Classical and Romantic.
ReplyDelete