Sunday, March 19, 2017

Ètieene Méhul


Ètieene Nicolas Méhul (1763-1817) was a French composer. He was the most important composer in France during the Revolution and the first composer to be labeled as romantic. Méhul was born in France but studied music with Wilhelm Hanser, in Germany.  In 1778 he went to Paris to study with Jean-Frédéric Edelmann. He originally began composing piano pieces and arranging arias for popular operas. From those successes he began his career in opera. His first two operas were to be preformed were failures. First Alonzo et Cora was originally set to be preformed in 1789 and was flopped by the opera house until 1791. His second opera, Adrien, was banned for political reasons.  Amongst this his third opera premiered, Euphrosine. This opera was extremely successful and put Méhul on the map as a new talent. During the revolution in France he wrote operas, patriotic songs, and propaganda music. His most famous piece is Chant du depart, or Song of the Departure.  This song is what marks him as a true Romantic composer.   First performed in 1794 with each stanza sung by a different group or characters in the choir for instance the first stanza is a speech of an officer cheering on his soldiers, the second, is of a mother offering her sons life to the fatherland and the Fourth, is sung by children.  This Song survived both the Revolution and the Empire and is still sung by the French Army.
Lyrics:
A deputy of the People
Victory sings
Opens its gate for us
Liberty guides our steps
And from North to South
The horn of war
Rang the battle hour
Tremble, enemies of France
Kings drunk on blood and pride
Sovereign People comes forth
Tyrants go down to your graves
Song of the Warriors (chorus)
The Republic is calling us
Let's know how to vanquish or let's know how to perish
A Frenchman must live for her [the Republic]
For her [the Republic] a Frenchman must die
A mother of a Family

Do not fear that our motherly eyes shall weep
From us begone, cowardly grief!
We shall triumph when you take up arms
It is kings who should shed a tear
We gave you life
Warriors, it is no longer yours
All your days belong to the Motherland
She is your mother more than we are
(Chorus)
Two old men
May their fathers' blade be placed in the hands of the brave,
Remember us on the Field of Mars (on the battlefield)
Baptise in the blood of kings and slaves
The blade thus blessed by your elders
And by bringing back home
Both wounds and virtues
Return to shut our eyes
When tyrants are no more
(Chorus)
A child
The fates of Barra and Viala fill us with envy
They died, but they prevailed
Cowards crushed by the weight of years never truly knew life
He who dies for the People has lived
You are brave, so are we
Lead us against Tyrants
Republicans are men
Slaves are children
(Chorus)
A wife
Leave, valiant husbands! Battles are your feasts
Leave, models for warriors
We shall pick flowers to crown your heads
Our hands shall braid laurels
And if the temple of memory (death)
Should open for your victorious manes
Our voices shall sing your glory
Our wombs shall bear your avengers
(Chorus)
A young girl
And we, sister of the heroes, we who of Hymenaios marriage's sweet bonds
Are still ignorant
If someday to join his fate to ours
A citizen should express the wish
Let them come back within our walls
Embellished with glory and liberty
And let their blood, in battle
Have spilled for equality
(Chorus)
Three warriors
On the iron, before God, we swear to our fathers
to our wives, to our sisters
to our representatives, to our sons, to our mothers
that we shall annihilate oppressors
Everywhere, into the deep night
by sinking the infamous royalty
the French shall give to the world
peace and liberty
(Chorus)


https://www.marxists.org/history/france/revolution/1794/chant-du-depart.htm
http://digitalcommons.hamline.edu/cgi/viewcontent.cgi?article=1025&context=dhp

7 comments:

  1. This comment has been removed by the author.

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  2. I have never heard of this composer, but it is interesting how he was the first to be labeled as a Romantic composer.

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  3. I think it's interesting how most great composers (even opera composers) start out on piano. Maybe it's because the piano is so visual? Also I think it's cool that the French Army sings something like this and that he splits up the choir to sing different parts of the song.

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  4. Super interesting that he was the first to be called Romantic, and that this piece is still sung today after all that France has been through.

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  5. I think it's funny that Adrien was banned for political reasons but seomthing like Verdi's Rigoletto wasn't even though the play it was made after (Le roi s'amuse) was actually banned. It's interesting what flies under the radar in some countries.

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  6. Is he marked as a romantic composer because the song is patriotic or propaganda? Another question would be that even though it completely states what it means and there's no hidden story, does the music come into play that it fits the theme of the words being said?

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  7. I find it interesting because that he is considered to be the first labeled romantic. I always considered that to be Beethoven, but I guess Beethoven kind of straddled the line between Classical and Romantic.

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